Rural Alberta Advantage=Awesome, Venue=Teh Suck, April 7th, 2011

You might describe the sound of Rural Alberta Advantage (RAA) as being caught somewhere between a country folk fest and urban dance club. While being torn in two seemingly different directions on Thursday night at Venue, the overall feeling wasn’t one of conflict. With so many alt-folk post-disco indie rock causalities being panned by critics, RAA makes this unique genre fusion work and does so with a sense of humor, charm and loads of Canadian class.

Originally formed in Cabbagetown (a hip urban neighborhood in Toronto) in 2005, RAA were signed to Saddle Creek Records in 2009. Following a break-out smash performance at SXSW 2009, the band has been receiving accolades left, right and center: X3 Artist of the month by, CBC Radio 3 and Exclaim!, a “Breaking Out” feature in SPIN Magazine and a sold-old tour for debut album Hometowns. They have been praised near and far for their unique sound, which alternates between, and often fuses, loud folk-y indie rock and post-disco pop rock together in an unpredictable meld of danceable, rump-shaking good times, with lyrics providing a new, young twist on the requisite feel-good Canadiana content.

The lively three-piece, featuring Nils Edenloff, Amy Cole and Paul Banwatt, debuted numbers from their new release Departing on Thursday, including “Muscle Relaxants,” “North Star” and “Stamp”. Each musician was fascinating to watch, as they alternated from one instrument to the next, with Cole playing keyboard, synth, tambourine, floor tom and xylophone; Edenloff playing acoustic guitar and keyboard; and drummer Banwatt playing a futuristic, cyborg-like Rhythm Traveller set.

On top of genre-busting innovative sounds, RAA are super fun to watch—each member is engaging, raucous, and zealous in their attacks on their instruments. Watching Cole and Banwatt alternate beating a floor tom into submission, it became evident that they must go through a lot of drumsticks (possible Zildjian sponsorship opportunity there?). Their spontaneity and freedom on stage gives this ensemble an elusive youthfulness and freshness, something a lot of bands lack, either through awkwardness, newness to performing or uncertainty of the boundaries surrounding their own self-constructed personas. RAA displayed none of these Thursday night and entertained with their onstage antics, as well as satisfied with their soulful sounds.


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